Rebeccu Workshop

Workshop di fotografia – 11–12 luglio – Rebeccu (Sardegna)

Iscriviti / Richiedi info

Questo luglio torno a Rebeccu con un’idea semplice: fare fotografia insieme, sul campo, e poi fermarci a capire cosa stiamo davvero dicendo con le immagini. Porto l’esperienza del mio lavoro tra Tokyo e Sardegna, ma soprattutto porto un metodo.

In due giornate a Rebeccu lavoreremo come si lavora davvero su un progetto: camminare, osservare, scegliere, tornare sulle stesse tracce. Faremo fotografia sul campo (nel paese e paesaggio circostante) e poi ci fermeremo a riguardare tutto con calma, per capire cosa resta e cosa no. L’obiettivo non è collezionare scatti, ma costruire una storia breve — pochi fotogrammi messi in sequenza con una voce personale, un ritmo, un’intenzione.

Cosa faremo (in pratica)

  • Uscite guidate sul campo (paese + paesaggio): osservazione, scelte, coerenza

  • Esercizi brevi con vincoli (tema, tempo, numero scatti) per allenare decisione e sintesi

  • Editing + sequencing: come selezionare, ordinare e dare ritmo a una storia breve

  • Revisione e confronto (feedback concreto, non teoria astratta)

A chi è adatto

Per fotografi/e amatoriali e non che vogliono migliorare su racconto, continuità e intenzione. Non serve attrezzatura “speciale”: è più importante arrivare con voglia di lavorare e di mettersi in gioco. È preferibile avere una macchina che permette modalità semi-manuali o manuali.

Quota + cosa include

Quota workshop: €250 a persona (2 giornate).

Include: guida e didattica durante le sessioni, revisione/feedback e sessione di editing collettiva.
Non include: viaggio, pasti e pernottamento.

Alloggio a Rebeccu (opzionale, ma altamente consigliato per valorizzare l’esperienza): €35 a persona / notte per posto letto.
Consiglio di alloggiare insieme a Rebeccu: è la soluzione migliore per vivere l’esperienza fino in fondo e avere più tempo per confronto, domande e review anche fuori dalle sessioni.

Prenotazione posto letto: entro il 20 giugno: https://www.rebeccuarte.org/rebeccuospitalita .

Iscrizioni / info

I posti sono limitati (max 18). Il workshop parte con un minimo di 8 partecipanti.

Conferma definitiva entro il 20 giugno.

Scrivimi ora per bloccare il tuo posto.

Per info/iscrizioni:

Iscriviti / Richiedi info
 

Some Reviews of past Workshops:

  • Laura

    Giovanni was my photographic expert for the night tour and I had really good time with him. First we discussed the plan for the night and then he took me to some places I didn’t even know that these could exist. As we walked around he suggested me different locations that could be interesting for me to see and they all were. As I am not beginner as a photographer I did not need very much technical advise but he sure was very competent. I asked about different tours he takes people and I would like to go on a longer trip with him outside Tokyo - I am very convinced he knows the country and he knows photography.

  • Jonathan

    During a week in Tokyo, we booked two tours; one in the early morning and the other at night. Giovanni was our guide for both and he is a very cool guy; knows Tokyo extremely well, a fluent Japanese speaker and a highly accomplished photographer too. His tours were both enjoyable and informative; we found all kinds of places that we would never have discovered on our own, and learned a lot of tips to improve our photo skills. All done in a relaxed, friendly and flexible style. 
    I highly recommend Aperture and Giovanni for anyone interested in becoming a better photographer and looking to get more out of their visit to this magnificent city.

  • Lee

    I did the 3 hour photography tour with Giovanni. We met up just before the appointed time and had a quick beer while Giovanni checked my knowledge and importantly, what I wanted to get out of the session. As I am just starting to get into Street photography that is what we focused on (excuse the pun) and Giovanni took me to some ideal locations and helped develop my eye and improve both my composition and my technical knowledge. We visited about 5 different locations, all of which were interesting in their own right but more importantly excellent for street photography. Giovanni was very knowledgable, patient and helpful and I learnt loads and came away with some good pics, but more importantly improved technique which helped me the next day when I put into action what I had learnt at the Tokyo fish market. I would not hesitate to recommend this tour, it was good fun, good learning and good value.

  • Keith and Amy

    I lead photo tours. There are good tours and not so good tours. In my opinion what makes a good tour is a leader who can adapt to the participants. Knowing which participants want to simply shoot in their style and what participants need assistance and photographic training. Gio was a master at both.

    As part of reddotbluedot.com we are on a worldwide trip that is focused on photography. It was great to have Gio discuss his work as well as show us some really great spots to get images at night in Tokyo. Great tour.

  • Vu

    The total value is astonishing — and even the website undersells it. This was the best workshop of the three I've attended. Takayama and Gujo-Hachiman was the day everything started to 'click' for me — whether it was the familiarity with the group, getting over the fear of shooting people, or the beautiful traditional landscape. A grueling schedule, but absolutely worth it. Looking forward to seeing what's next.

  • A woman dressed in traditional Japanese kimono walking on a wet street holding a transparent umbrella, with a bicycle parked against an orange wall and a box with Japanese writing.
  • A man in business attire walking down a colorful sidewalk while talking on his cellphone, holding a notebook, with closed shop fronts in the background.
  • An elderly man stands outside a Japanese restaurant, talking on his cellphone. The restaurant has red hanging lanterns, a red sign with Japanese characters, and curtains with a leaf pattern at the entrance.
  • A person in a suit and face mask walking past a small restaurant with orange decorations, including paper lanterns and crates, on an urban street.
  • An elderly person with a bandage on the head sitting in a small cart on a sidewalk, making a peace sign with their hand. The background includes graffiti on a wall and a 'no smoking' sign.
  • An older man with short gray hair, wearing a white long-sleeve shirt, is talking on a cellphone on a city street. He looks slightly confused or concerned.