A statement on Passing People, my Tokyo Daimaru chapter of Hikaranai Monotachi—about quiet crossings, half-light gestures, and the city’s rhythm at walking speed.

A short statement on Remaining Landscapes, my Leica Tokyo Isetan chapter of Hikaranai Monotachi—about traces, quiet surfaces, and what remains after the noise leaves.

A working photographer’s life isn’t just about taking photos—it’s also emails, invoices, and endless editing. That’s why I cherish days like this: escaping Tokyo’s chaos, shooting with my friend Lee Chapman, and ending up in Jikokudani—Hell’s Valley in name, but heaven in spirit.